Your Monday Briefing

Democracy is being allowed to vote for the candidate you dislike least.

Robert Byrne


By Azra Isakovic

Jan. 18, 2021

Good morning

Welcome to Your Monday Briefing

Books

#Livres đź“š/#Recension – Open Democracy. Reinventing Popular Rule for the Twenty-First Century, HĂ©lène Landemore,  Princeton University Press, | Ă€ la recherche d’une reprĂ©sentation dĂ©mocratique par Éric Buge |  La Vie des idĂ©es
Books – Managing Transition: The First Post-Uprising Phase in Tunisia and Libya by Sabina Henneberg | Cambridge Core
Review of Books – The Limits of Caste Hazel V. Carby | London Review of Books
Review of Books  – Cynical Realism – Randall Kennedy on the biases of the Supreme Court | London Review of Books

Must-Reads

US – The Normalization of the Post-Sept. 11 Regime, by Stephen I. Vladeck | Tablet Magazine
Brexit – A look at Swiss politics shows that Euroskepticism is in the United Kingdom to stay, by Joseph de Weck | Foreign Policy
Europe/France/Germany – When Opposites Don’t Attract, by Joseph de Weck | Internationale Politik Quarterly
The Biden Transition – To Understand This Chaotic Transition, Rewind to the Last One | The New York Times
The Biden Transition – A Former Marine Stormed the Capitol as Part of a Far-Right Militia | The New Yorker
China/EU – Hungary Welcomes EU’s First Chinese University Campus | The Voice of America
Turkey – Erdogan’s great game: Turkey pushes into Africa with aid, trade and soaps |  Financial Times
Ideas – The Conservative Cult of Victimhood Trump was a perpetrator who thought himself a victim, and American society has indulged that same illusion among Trump supporters. David Frum | The Atlantic

Research & Analysis

#China🇨🇳/ The New Challenge of Communist Corporate Governance | CSIS  PDF 📥
EU/ROK – Consultations Resilience and Trust in Cyberspace | German Marshall Fund
Turkey🇹🇷 – Is Polarization Turkey’s Fate? By Emre ErdoÄźan @urbanhobbit | German Marshall Fund

Movies

Movies – The Movies That Mattered in 2020 by Anthony Lane | The New Yorker
Movies/Reviews – “Dear Comrades!” Is Andrei Konchalovsky’s Masterpiece, by Anthony Lane | The New Yorker

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